Courage – Would you have enough?

Harriet Tubman – abolitionist who liberated more than 700 slaves.

Harriet Tubman. Oskar Shindler. Esther. People iconic for their courage and the bold actions they took to save the lives of others, actions that put their own lives at risk.

Every time I hear a story about someone who stands up to society, their peers, their family – someone who goes against the norm – to right an injustice, I wonder if I would be so brave. Fortunately, I have never had to put my own life on the line; fortunately, most of us never have to.

But most of us do encounter events in our daily lives when we see something happening that we know is wrong. Then we face the choice: engage or walk away, speak up or remain silent.

I confess, I have failed the test more often than I like to admit. One time in particular sticks in my mind.

For 30 years I worked in the public relations business, a job that sent me all over the United States interviewing farmers, veterinarians, and scientists who used my clients’ products. One trip to a North Carolina tobacco farm in 1977 opened my eyes to race relations as I’d never experienced it before, while leaving life-long scars on my heart.

As the interview wound down, the farmer and I were standing in the yard, exchanging pleasantries about the weather and local sports teams. Just then a young black boy, maybe eight or nine years old, came out of the barn.

“Hey, Joseph.” The farmer waved him over. “You need to dance for this lady.”

The boy stood, his arms limp at his sides, his bare feet covered in the soft dust of the lane.

I blanched. Dance for the lady? “Oh, no,” I excused myself. “I need to be going.”

“He likes to do it. He’s a real good dancer,” the farmer insisted.

The boy looked at me. I cannot recall if I smiled or even met his eyes.

Dance for the lady? All I could think about was slave owners forcing their slaves to entertain visitors. Sweat poured down my neck. Thunder roared in my ears. My eyes swam. I wanted no part of this. Yet I could see no way out.

The boy danced for me. And I said nothing.

Why? Out of some misguided sense that I would offend the farmer, my client’s customer? Because I was so shocked I didn’t know what to say? Because I was a coward? I really don’t know. What I do know is that I will always wear the shame of not stopping that demeaning act.

Confronted with a blatant injustice today, I hope I would do better, that I would have the courage to act. But who knows for sure? The circumstances are seldom simple, the decisions seldom clearcut.

The question of if, when, and how to engage in the face of injustice is at the heart of the novel I’m writing now. In the course of her work as a consultant, my main character must face her own biases and decide how long she can remain on the ‘it’s not my job’ fence.

The story is autobiographical only in that the issue is one I’ve always thought about. Like me, my main character doesn’t always get it right.

What has your experience been in speaking up – or not – when you saw something that seemed unfair?

How important is the frame?

A few years ago, as I walked the Crystal Bridges Art Museum grounds, I spotted a single picture frame set on posts in the middle of a soccer-sized field. Intrigued, I walked out to look closer, reasoning that this frame must be quite important to command such a space.

Framing nature at Chrystal Bridges Museum

Framing nature at Crystal Bridges Museum

As I circled the nondescript structure, I realized that the frame gave form to whatever you saw through it. The frame and what it held were equally important.

My friend Mary recently enclosed an open air deck with windows. She found that the window frames focused the way she looked at the trees, buildings, and landscape beyond, causing her to appreciate the views from her deck in ways she hadn’t before.

Framed for drama and impact. Photo courtesy of Morguefile.com

Framed for impact. Photo courtesy of Morguefile.com

Frames are, of course, nothing new. They show up everywhere in everyday life – movies, TV, computers, pictures on the walls, windows – each one encouraging us to focus on, to look at, something in a particular way.

As writers we make decisions daily on what story to tell. We choose the frames with purposeful intention.

Memoirists choose what parts of their life to share. In my memoir Growing Up Country: Memories of an Iowa Farm Girl, I picked stories from those formative years when I was between 8 and 12. Years when the values my parents taught us kids came into focus (and conflict) in my young mind. The very same events depicted in my childhood memoir could have told a much different story if I’d used them to frame a look into the sometimes unhealthy ways I existed in my first marriage.

As I wrote my novel Go Away Home, deciding the time(frame) was one challenge. If the story began in 1900 and the main character Liddie was 10, the story would be entirely different than if the story were set in 1913 and Liddie were 16. The technological, political, and social differences between 1900 and 1913 change what might be included in the frame, not to mention the differences between how a 10-year-old and a 16-year-old would view herself and her actions.

In my work in progress, literary fiction set in Iowa, the main character is forced to face her own prejudices when she sees life through the frame of immigrants working in a meat packing plant.

Recently, I joined several authors at a retreat where I read a paragraph synopsis of my latest work. Because I mentioned one relationship in this synopsis, the listeners jumped to the conclusion the novel is a love story. It is not. Clearly, the frame I had chosen for my story was wrong.

In the wrong frame, a beautiful tree is blah. In the right frame, something mundane comes into compelling focus. Change the frame, change the story.

Seven questions about publishing with Amazon

Ever since Lake Union Publishing acquired my novel Go Away Home (re-launch on July 7), I get questions. Lots of them. About how it works, the advantages, the disadvantages. Jane Friedman invited me to answer the top seven most frequently asked questions on her blog. If you haven’t connected with Jane yet, take time to look around her blog; she offers a deep well of information on the writing and publishing world.

If you’re curious about how it all worked, too, hop over and read my answers to such questions as:

  • How did Lake Union find my book?
  • Why did I sign with them?
  • What happens when a book is acquired?
  • And four more …

My Experience Working with Amazon Publishing

Amazon Publishing

Note from Jane: Today’s guest post is from Carol Bodensteiner (@CABodensteiner), author of the self-published memoir Growing Up Country and the upcoming Go Away Home via Lake Union Publishing, an imprint of Amazon Publishing.


Unable to land a publisher after I wrote my first book, a memoir, I cast my lot with the indie world. I enjoyed the control, and good sales put money in my pocket. So when I completed my pre-WWI-era novel, Go Away Home, in July 2014, I didn’t even look for a traditional publisher.

Imagine my surprise when six months later an email arrived in my inbox from an acquisition editor at Lake Union Publishing, an imprint of Amazon Publishing. I felt like the average teenage girl sitting at the soda fountain counter who is spotted by a director and cast in a major motion picture.

Click to read more.

Have more questions about publishing with Lake Union and Amazon? Leave a comment and I’ll do my best to answer.

The scoop on editing with Amazon Publishing

“What was it like working with Amazon Publishing?” “Did it bother you to lose control?” “Is it still the same story?” 

These are some of the questions I’ve received since my novel Go Away Home was acquired by Lake Union Publishing, an imprint of Amazon Publishing. Since the editing process is complete, this is a good time to report on how it went.

When I published Go Away Home last July, it was as good as I could make it. I’d hired a professional for cover design, copyediting and proof reading. I felt good about my debut effort.

Editing to make it shine.

Editing to make it shine.

Even so, when Jodi Warshaw, senior acquisition editor at Lake Union Publishing approached me, she talked about how another round of editing could make my story really shine.

I was not offended by the implication that the novel didn’t already shine. It attracted her attention, that was good enough for me. In fact, I was excited to to see what new eyes and additional professional editors would suggest. From my perspective, good can always be better. Warsaw assured me I’d be involved every step of the way and I was. Here’s how it worked.

Developmental Edit: “Trim” is such a gentle word. Much kinder, much easier to hear than “Cut,” “Slash” “Eviscerate.” My developmental editor Amara Holstein suggested “trimming” so often I found myself laughing. She suggested changes that tightened the writing in ways I’d never imagined possible. She challenged me when characters acted out of character, when I over-explained, when I didn’t give readers enough credit.

Amara and I spoke on the phone before she began her work. After she sent her comments to me, she remained available by phone and email to clarify, respond to my probes, and react to approaches I took in rewriting sections. She was encouraging, helpful, professional. I learned a ton that made this novel better and will improve my future writing.

Copyedit: While not near as intense or time-consuming as the developmental edit, the copyedit was equally valuable. Where the developmental edit looked at the big picture, my copy editor Kirsten Colton delved into details. Colloquial word use. Consistency of use. Transitions in and out of flashbacks. Use of em dashes. She discovered several words that were out of historical context – some by only a couple of years – words I never thought to question. This was a tad embarrassing since I thought I’d been so careful about being historically accurate. Again the importance of another set of eyes.

An amusing thing happened in the copyedit: where Amara trimmed with vigor, Kirsten encouraged fleshing out – more historical detail, more character description. Their suggestions were not inconsistent, simply focused on different things. Reviewers who mentioned wanting more historical detail will be happy with these additions.

Proofreading: This is the step of the process I’m most clear about since I’ve done proofreading myself as a magazine editor. A set of eyes looking at copy with a magnifying glass. Is everything absolutely perfect – spelling, grammar, punctuation, page layout.

Each of the editors had plenty to say, and I seldom disagreed with their suggestions. The editing process was not easy. At each stage, I had two weeks to make changes, write, re-write and return the manuscript for the next phase. I believe it was worth every minute of effort.

I was impressed with the team of editors that worked with me to ready Go Away Home for re-launch in July. Going in, I thought I would get push back from the developmental and copy editors on changes I made or didn’t make based on their comments. Quite the contrary. When I asked Warshaw if this was common, she said: “We want the author to be in favor of all changes and don’t want to change their vision or voice.” Errors excepted, of course.

The whole process made me think of a dedicated effort to get in shape physically. Trainers look at the big picture and what you want to accomplish. They recommend exercises to strengthen here, reduce there, tighten, trim. The person getting in shape is involved every step of the way and must do hard work to recognize the benefit. When you stick at it in the gym, you come out a better you.

Having been through the entire editing process, Go Away Home is stronger, tighter, a little shorter here, a little longer there. Is it the same story? Yes, only now it shines a little more.

A “Marriage” of Fact and Fiction – Giveaway

Many authors write a memoir first and then turn to fiction, as I did. While those first works of fiction often have some basis in real people and events, the outcome is largely fictional as the author molds the story line, characters, and events to achieve the best dramatic arc.

Susan Weidener’s new novel A Portrait of Love and Honor is a unique combination of fact and fiction because it’s based on her late-husband’s unpublished memoir. To celebrate the launch, Susan is giving away a copy of her new novel to readers of this blog. All you have to do to enter is leave a comment.

I had the pleasure of meeting Susan in Tucson this spring where she writes and leads memoir workshops. Here is her story.

A “Marriage” of Fact and Fiction

By Susan G. Weidener

A Portrait of Love and Honor, cover I first made the decision to publish my late husband John M. Cavalieri’s memoir in 2013. As I looked out the kitchen window at a dreary gray Pennsylvania morning, I thought of John’s story. While he had tried to get it published before his death in 1994, it was rejected by traditional publishers. I always felt it both compelling and beautifully written. It seemed a waste to let it gather dust in the back of my closet.

I went upstairs and took Life with Honor from a carton with John’s West Point memorabilia; his yearbook, and the black and white photographs of him and fellow cadets. . . the track team for company G-1 where John was captain . . . John in full dress uniform. I read late into the morning. John was again in the room with me.

A thought took shape. What if I created a fictionalized love story to “embrace” John’s memoir of West Point? I visualized Jay Scioli (John’s pen name) meeting a 40-something divorced editor and author, Ava Stuart. Jay admires Ava’s writing and at a book signing approaches her about editing his memoir. As they work on it, they discover that indefinable chemistry and connection of two people searching for meaning and love in a life often marred with disillusionment and adversity. Thus, A Portrait of Love and Honor emerged over a two-year period of writing and rewriting.

Although I am a journalist and memoirist, fiction was no stranger to me. Between my sophomore and junior years in college, I wrote a historical romance set in the Court of King Charles II. After college, I worked on a contemporary novel – a thinly veiled memoir about a young woman who falls in love with the wrong guy and then travels solo across England, France and Holland searching for stories in her quest to become a writer.

***

Susan & John Cavalieri

Susan & John Cavalieri

John wrote his memoir in 1991 and 1992. In 1994, three weeks after his 47th birthday, he died of colorectal cancer. Upon rereading his story, I felt important questions remained unanswered.  So I had to imagine what “Jay” might say in relation to his parents and their expectations . . . and his own desire to remain at the United States Military Academy at West Point against all odds.

I excerpted portions of the memoir, choosing those sections I felt most dramatic. I tried to intensify John’s experience at the Academy with more detailed writing and descriptions of the Hudson River Valley, the Academy during bleak winters, and more vivid character descriptions of the cadets who served as the centerpiece to his story.

Thus, a marriage of fact and fiction: a novel based on a true story.

***

My years as a journalist also taught me the importance of accuracy. I researched and double-checked what John wrote about West Point – how many graduates of the Class of 1966 died in Vietnam; the history, abuses and abolishment of the Fourth Class System – a form of hazing of plebes; who gave the commencement address for the Class of 1971. It helped, of course, that John and I had visited the Academy many times when we were married and talked often of his years there. My husband is buried in the Catholic cemetery overlooking the Hudson River at USMA. I have been back just once in 20 years to visit his gravesite. I plan another trip to the Academy this spring.

***

The setting of my novel is drawn from landscapes I most love: Chester County, Pennsylvania, where I live, and Tucson, Arizona, where I have been coming in winters to write and reflect. John and I never traveled to Tucson so the scenes between Jay and Ava that take place there are pure fiction.

Moving from memoir to fiction offered me a creative expression and vision for my husband’s story. I felt it showcased John’s memoir, making it more appealing to today’s readers. It also offered me the opportunity to craft a dramatic story . . . and while drawn from my own life with John, the story of two people destined to meet took on a life of its own.

Things I have learned:

  • Write with imagination, heart and soul
  • Do your research
  • Create dramatic characters whose lives ring true
  • Add conflict throughout the story
  • Avoid excessive back story
  • Create realistic dialogue
  • Keep the story moving
  • Be creative and have a vision for your novel

***

**Don’t forget to leave a comment for a chance to win a *free copy* of A Portrait of Love and Honor. The winner may choose either paperback or ebook. The drawing will be held on May 15, 2015.

Susan hosts the Women’s Writing Circle, a welcoming and encouraging site for writers. I encourage you to check out her blog and all of her books. You can get your copy of A Portrait of Love and Honor  NOW on Amazon in paperback or on Kindle, and at Barnes & Noble.

Susan Weidener

Susan Weidener

Author Bio: Susan G. Weidener is the author of two memoirs, Again in a Heartbeat, a memoir of love, loss and dating again, and the sequel to that, Morning at Wellington Square. A former reporter with The Philadelphia Inquirer, Susan has interviewed a host of interesting people from all walks of life, including Guy Lombardo, Bob Hope, Leonard Nimoy and Mary Pipher. Susan earned a BA in Literature from American University and a master’s in education from the University of Pennsylvania. An editor, writing coach and teacher of writing workshops, Susan founded the Women’s Writing Circle, a support and critique group for writers in suburban Philadelphia. She lives in Chester Springs, PA.

Her website is: www.susanweidener.com

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Twitter @Sweideheart

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A different kind of book review – Deeply Odd

Memoirs and historical fiction are my normal reading choices. But every so often, I enjoy trying something different. Recently I caught a Dean Koontz interview on the CBS Sunday Morning show. Though I’d seen his books on bookstore and library shelves, I’d never cracked one open. A recent road trip gave me plenty of listening time, so I chose Deeply Odd, from Koontz’s Odd Thomas series.Deeply-Odd-MM

If you haven’t read any of the books, here’s the premise: Odd Thomas is a young man who can see and talk to dead people. He uses this skill to combat evil in the living world. In the process, he helps these dead people, including such luminaries as Elvis Presley and Alfred Hitchcock, resolve whatever earthly issues they have so they can pass on.

As a reader, I found the story a real page turner – or since I was on the road – a miles burner. As a writer, I was blown away by Koontz’s skill.  So here, in a book review of a different type – are some of the techniques I noticed in Deeply Odd and Brother Odd, another book from the series.

Complex, vivid, characterization
Koontz develops fascinating characters who are revealed through physical and personality descriptions, which are reinforced throughout the book. Odd Thomas, for instance, frequently describes himself as: “only a fry cook, currently unemployed.” This self-deprecating description is reinforced by Odd’s dialogue. For instance, Odd uses polite formality when he addresses others. He addresses others as, “ma’am” and “sir.” Every time, even if someone asks him to use their first name.

Attention to details of clothing and place
Koontz pays great attention to how people look, what they’re doing, and the physical surroundings. He dribbles this information in over time so the reader isn’t tempted to skip over paragraphs bogged down in description.

Here’s how Odd describes a policeman:

  • “In the side mirror, the man who got out of the patrol car looked like Hercules’ bigger brother, a guy who at every breakfast with his dozen eggs and pound of ham drank a steaming cup of steroids.”

A few paragraphs later, Odd adds:

  • “A massive cop loomed at my window blocking the morning sun as effectively as an eclipse. He bent down and looked into the car, mouth puckered in a frown, grey eyes squinted as if the Mercedes were an aquarium and I was the strangest fish that he had ever seen. He was a handsome bull, I’ll give him that, even though his head was as big as a butcher’s block.”

The writing is fresh and unexpected. Never cliched. With each paragraph, Koontz paints people and scenes so vividly, I grinned as I listened.

Interweaving physical traits with character traits
The physical traits Koontz chooses for a character have purpose and come into play both in how the person acts and also how Odd Thomas is affected by those traits.

Here’s Sister Angela, a nun with periwinkle-colored eyes:

  • “With the power of her personality, Sister Angela can compel you to meet her eyes. Perhaps a few strong-willed people are able to look away from her stare after she has locked on to their eyes, but I’m not one of them. By the time I told her all about bodachs, I felt pickled in periwinkle.”

Vivid back story in tantalizing bits:
Koontz shares back story in tiny snippets that are woven in with powerful effect. In his first description of Sister Angela, he says:

  • “Her eyes are the same merry blue as the periwinkles on the Royal Doulton china that my mother owed, pieces of which Mom, from time to time, threw at the walls or at me.”

Wow. Didn’t see that coming. Now I know Odd had a problematic relationship with his mother, and I’m not likely to forget.

Fixing time and place
A lot happens in each Odd Thomas novel but often in a very short period of time. In the course of a chapter, only a few minutes may pass. It would be easy for readers to get disoriented, but Koontz makes sure readers stay with him.

  • “From the time I had unlocked the bronze door with my universal key until I entered this room, not even two minutes had passed.”

These are a few of the writing gems I took away from reading two of Koontz’s novels. Is Koontz writing great literary fiction? No. Is he writing novels based on great characters and solid plot lines using original language? You bet.

As a reader, it’s a delight to try out a new author and come away a fan. As a writer, it’s inspiring to find an author who models writing techniques I aspire to use as well. I now count myself a Koontz fan, both as a reader and as a writer.

What about you? What new authors have you found that surprised and delighted you?

Amazon Publishing acquires Go Away Home – I’m giddy!

Have you ever thought you were as happy as you could be and then something happens to make you realize you could reach a whole new level of happy? It happened to me this month.

When I completed the manuscript for my World War One-era novel Go Away Home earlier this year, the thought of finding an agent and a publisher flashed through my mind for all of a nanosecond. Since publishing my memoir Growing Up Country seven years ago, I’ve been proud to call myself an indie author and an indie publisher. I didn’t hesitate to walk down the indie road again.

Then one morning – six months after I published – I opened an email from Jodi Warshaw, a senior acquisitions editor for Amazon Publishing. Warshaw said, Go Away Home “caught my eye because of all the rave reader reviews. Then I dipped in and couldn’t put it down!”

Warshaw wanted to talk about my interest in partnering with Lake Union “to see the sales match the review intensity.” She got my interest, all right. There’s no organization that knows marketing like Amazon.

I was thrilled – then skeptical. Could this be real? I contacted my go-to person for all things of this sort. Melissa Foster (best-selling author and founder of the World Literary Cafe) confirmed that, “This is great news.”

Lake Union Publishing

Lake Union Publishing

So I am pleased – thrilled – head over heels – over the moon (all cliches apply) to announce that Go Away Home has been acquired by Amazon Publishing and will be released under the Lake Union Publishing imprint in July 2015.

Between now and then, the manuscript will go through an Amazon team of editors (because good can always be better), gain a new cover, and a marketing team will prepare for the launch. All these people working on my novel makes me positively giddy. Can you believe it? I have “people.”

I haven’t made out a Santa wish list in decades. Even if I had made one this year, signing with a publisher would NOT have been on it. That would have been too unbelievable. While I don’t know everything this new affiliation will mean, I do know I’m excited by the opportunity to learn, and I couldn’t be happier.

I would not be here without all the support and encouragement of readers, of writers, of friends, of you. So, I thank you. And I wish you a joy-filled Happy & Healthy New Year.

Does paying for book promotion pay off?

As an indie author, I’ve looked at paid book promotions from time to time and always backed away. There were so many questions for which I had no solid answers. Which promotion site? What guarantee did I have that it would work? How many books would I have to sell to break even? If I did a promotion, when? My novel Go Away Home published in July; was a September promotion too early? My memoir Growing Up Country has been on the market for seven years; would anyone still be interested?

Finally I decided: Do it or stop thinking about it. I took the dive, and scheduled a promotion  for my novel. I had to take a big gulp when it came to paying the bill and I spent a lot of my time holding my breath. Ultimately, I’m glad I did.

Here’s what I did and how it worked.

Go Away Home - BookBub PromotionWith the philosophy If you can’t go big, go home, I chose BookBub – the gorilla of ebook marketing in terms of reach, cost, and results – to promote my novel in September. Electing for as clean a test as possible, I didn’t do any promotion other than that. Not even social media.

Go Away Home Promotion

  • BookBub Cost: $400 for a one-day, $ .99 promotion.
  • Reach: 1,030,000 women’s fiction readers. I’d requested historical fiction, but BookBub recommended women’s fiction. I figured they knew what they were doing and went with it. Plus the women’s fiction promo was $40 less expensive.

Sales & Rankings:
Pre-promotion Amazon Kindle Sales Rank – 55,110

Day of promotion – Sept. 7 – Price at $ .99 – Sales – 1,422 – Author Rank: as high as 69
Day 2 – Sales – 319
Day 3 – Sales – 151
Day 4 – Price at $1.99 – Sales – 52 – Author Rank: between 393 and 1,116
Day 5 – Sales – 66
Day 6 – Sales – 61
Day 7 – Price returns to $3.99 – Sales: 27 – Author Rank – 1,298

Go Away Home - Amazon Best SellerGenre Rankings: In the course of the promotion, Go Away Home ranked in the Top 10 in Coming of Age, Women’s Fiction, Literary Fiction and Historical Fiction

Return on investment: First-day sales covered the promotion cost by 2.5x

On to the next book: Encouraged by the success of the novel promotion, I elected to use paid promotions for my memoir. Again, I let BookBub lead the way and added two other paid promotion outlets: Ereader News Today and The Fussy Librarian. Here are the results.

Growing Up Country Promotion

Sales & Rankings
Pre-promotion Amazon Kindle Sales Rank: 217,307

Day of promotion – Nov. 13 – Price at $ .99 – Sales: 2,504 – Author Rank: As high as 21
Day 2 – Sales: 520
Day 3 – Sales: 388
Day 4 – Price at $1.99 – Sales: 101 – Rank: between 105 and 870
Day 5 – Sales 73
Day 6 – Sales 64
Day 7 – Price returns to $3.99 – Sales: 20

Growing Up Country Author RankGenre Rankings: In the course of the promotion, Growing Up Country ranked in the Top 10 – often #1 – in History, Family Relationships, and Midwest & Women’s memoirs & biographies.

Return on investment: First-day sales covered promotion costs by more than 3.5x

  • BookBub: 2,788 sales; revenue to me $1,951.60
  • Ereader News Today: 146 sales; revenue to me: $102.20
  • The Fussy Librarian: 17 sales; revenue to me: $11.90

Seven observations from these promotions:

  1. It’s a hoot: Okay, just had to get that out of the way. It’s a kick to see my book ranked up there with books by Sue Monk Kidd and Diana Gabaldon. Even if it’s only for a few days. Now back to business.
  2. Scheduling a promotion – BookBub is known for being tough to get into so I gave them as much scheduling flexibility as I could. They responded to my submissions in 48 hours and were easy to work with. I scheduled Ereader News Today & The Fussy Librarian to run in the days after BookBub to extend the news.
  3. You get what you pay for: There were fewer sales through Ereader News Today and The Fussy Librarian, but the cost was much less and they delivered sales proportionally, so I’d use them again.
  4. A long promotion tail: Even though sales dropped precipitously from promotion highs, both Go Away Home and Growing Up Country have sold more copies each day, every day since their respective promotions than they did prior to the promotions.
  5. Holiday cross-over sales: While paperback sales of Growing Up Country have always accelerated during the holidays, this is turning out to be particularly good year. The ebook promotion drove the memoir to the top of the charts as people were looking for gift books. A month after the promotion ended, the memoir still ranks in the Top 10 Midwest memoirs and is selling well in both ebook and paperback formats.
  6. Reviews – A Bonus: Because of the promotions, both books have garnered a healthy increase in reader reviews. Go Away Home picked up 36 new reviews since September and Growing Up Country has earned 54 new reviews in the past month, including its first one-star review (be still my heart!).
  7. Your results will not be the same as mine: BookBub shares the average sales for each category. Women’s fiction: Average sold: 2,120 with a range of 170 to 5,420. Biographies & Memoirs: Average sold: 2,430 with a range of 290 to 6,210. I didn’t quite make the average with my novel but exceeded it with my memoir. Great success since I was holding my breath that I’d surpass 170 and 290. All the usual suspects come into play in whether a book sells well: cover design, title, quality of writing, topic interest, reader moods, the phase of the moon.

I share this report for what it’s worth. Paid promotions are one arrow in the author’s marketing quiver. And this is one for which you can see a clear ROI.

This was a lot of numbers to crunch and I hope I was reasonably clear. Let me know where I confused and where I might yet elaborate. Apologies for the blurry graphics; they’re the best I could get from a screen shot.

The big questions: Memoir or fiction? Is the Past ever Past?

Life is full of so many questions. What’s for dinner? White wine or red? Is it time to turn on the furnace?

The writing life is no different. Three events coming up in the next several days let me join other authors in discussing some of the big questions writers face. I expect those discussions to both fun and challenging. Equally fun is that you can join in on some of those discussions even if you’re not in Iowa.

The Big Decision – Memoir or Fiction? – On Thursday, October 15, at 6:00 p.m. CDT, my long-time writing buddy author Mary Gottschalk and I are the featured guests in a free teleseminar hosted by the National Association of Memoir Writers. If you’re interested in exploring The Big Decision with us, there’s still time to sign up. Click here.

Celebrate Writing PosterCelebrate Writing at MPL On Saturday, October 18, at the Marion Public Library in Marion, Iowa, I’ll join other fiction writers in a panel discussion on “The Art of Fiction.” Other panels will explore the Perks & Perils of Self-Publishing, Writing Memoirs, and Selling Your Book: Marketing. After lunch, Mary and I will reprise the Fiction or Memoir discussion in a small group workshop. If you’re in the area, seats are still available for the morning panels and a noontime Lunch with the Authors. The afternoon workshop is already wait-listed. For event details, click here.

Live from Prairie LightsIs the Past Ever Past? – On Sunday, October 19, from 2-3 p.m., I’ll be in Iowa City for a book talk and reading at Iowa’s iconic indie bookstore – Prairie Lights. Reading at Prairie Lights is an honor in itself, but this event is even more special because I’ll be joined by author Shirley Showalter, author of Blush: A Mennonite Girl Meets A Glittering World. Shirley and I have more than a little in common even though we grew up 1,000 miles apart. Just one tidbit: we’re both dairy farmers’ daughters who grew up to be authors. We’ve only met online, so it will be great fun to meet in person and share the podium.

Since our three books are all set in the past, Shirley recalled William Faulkner’s quote “The Past Isn’t Dead. It isn’t Even Past,” which we adapted for our talk title. If you’re in the area, join us. If you can’t be there in person but you’d still like to hear what we talk about, you can tune in as Prairie Lights streams readings live.

These events offer a unique ability for in person or live interaction over the airwaves. I hope you’ll join in for one or more.

Since I’m still preparing for these presentations, I’d appreciate your thoughts. What do you consider the major factors in whether to to write about a topic as memoir or fiction? What comes into play for you in considering fiction “art”? How do you react to Faulkner’s quote? Is the past dead? If not, why not? How can it be that the past isn’t even past?

How can writing short stories work for you? Six ways

What’s next for my writing? With my novel Go Away Home set to publish in July, I’ve been thinking more and more about where to turn my writing energy next. Short stories have come up with increasing frequency. As if to urge me along, Julie Glover offered “6 Reasons to Write a Short Story” over at Writers in the Storm.

If you’re already writing short stories, what has your experience been? What are the benefits? Have they been a gateway to longer works? Or are the shorter genres your destination?

If you’re a short story reader, I’d like to know what you look for in a short – what works and what doesn’t?

Here’s what Julie says:

6 Reasons to Write a Short Story

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My Sister's Demon, paranormal fiction by Julie Glover, @julie_glover

As a novel reader, I always believed I was meant to write full-length books. Yet I find myself entering the self-published market with a collection of short stories instead.

I wrote the first one on a lark—merely a story premise I wanted to get out of my system. But I liked the result so much, I started another. And then I got hooked, eventually completing six young adult paranormal shorts.

6 reasons you might consider writing a short story:

1. Writing short stories hones your skill for writing lean—a skill that will help you craft more effective scenes in a novel.

 Click to read the rest of Julie’s reasons.

And I’d love to hear your thoughts on short stories here. Comments?